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Background & context most community radio stations in ecuador are licensed as commercial or cultural stations. community radio was not recognised until 1996 when the government approved a law that made special provisions for community radio stations. however, it placed severe restrictions on them including prohibiting commercial activity, limiting transmission power to 500 watts, and requiring approval from the army for reasons of "national security." corape, the national association representing community radio, brought a constitutional challenge to the law. the idea of setting up radio chaguarurco started in 1990 with a series of workshops organised by campesino organisations and by the local churches in santa isabel and pucar, in the province of azuay in the southern part of ecuador. the purpose was to organise the communities to gain access to basic services drinking water and electricity ; and to ensure that human rights were being respected. the question of where to establish the radio station, in addition to technical and financial considerations, had a political dimension. the selected community, santa isabel or pucar, would be more likely to have its concerns broadcast, its members interviewed, and therefore it would benefit most from the station. decentralisation was one of the objectives of the project, and in the end it was clear that wherever the station was located, that community was going to benefit, possibly at the expense of the other. pucar did have one important advantage: while santa isabel was larger and a more important economic and communications centre, pucar's altitude 3, 100 metres above the sea level ; and more central location meant that from a technical perspective it was a better place to locate the transmitter. the solution was to put a 5, 000-watt transmitter in pucar, the administrative centre in santa isabel, and studios in both communities linked via microwave. aspects of social change this is how peasants themselves evaluate the changes brought by the radio station: communication is easier now. the radio has a system of communiqus. every day we can send all kinds of messages -- the situation of patients in the hospital, deaths, lost animals, meetings the radio is the telephone for those who don't have [one]. the authorities, institutions and merchants are more democratic. before it was easy to abuse a campesino, charge higher prices, or steal material intended for public works in the communities. now when there is an abuse, everybody hears about it on the radio. the radio serves as a sort of guardian in the democratic game. the radio has served to let us share experiences and problems. people from communities tell about their experiences on the radio, and this helps the others see the process -- solutions to everyday problems are shared. the radio is contributing to the valorisation of our culture, our music, our way of speaking. these programmes are generating renewed pride in our own culture. radio chaguarurco's success is not just a result of being the choice of more people than any other radio station. it has worked alongside other development and democratic and poker rules texas hold.
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Notes: quotes from durrell's a key to modern british poetry. see p. 42 "the relativity of the self: the alexandria quartet." the self in modern literature charles i. glicksberg, 89-94. university park: pennsylvania state university press, 1963. godshalk, william leigh. "aspects of lawrence durrell." journal of modern literature 1, no. 3 1971 ; : 43945 "balthazar: a comedy of surrogation." selected essays on the humor of lawrence durrell, eds. betsy nichols, frank kersnowski, and james nichols, 81-91. victoria, bc: university of victoria press, 1993 "durrell: death, love, and art." deus loci: the lawrence durrell quarterly 7, no. 5 1984 ; : 105-7. notes: on miracle ground ii: second international lawrence durrell conference proceedings. response to friedman in same volume . "lawrence durrell's game in the avignon quintet." on miracle ground: essays on the fiction of lawrence durrell, ed. michael h. begnal, 187-200 in. lewisburg: bucknell university press, 1990 "review: fraser, g. s.: lawrence durrell: a study." journal of modern literature 1971 ; : 439-xx "review: friedman, alan warren: lawrence durrell and `the alexandria quartet': art for love's sake." journal of modern literature 1971 ; : 439 "review: spirit of place: letters and essays on travel." journal of modern literature 1971 ; : 439xx "sebastian: or, ruling passions: searches and failures." twentieth century literature: a scholarly and critical journal 33, no. 4 1987 ; : 536-49 "some sources of durrell's alexandria quartet." modern fiction studies 13, no. 3 1967 ; : 361-74 "some sources of durrell's alexandria quartet." critical essays on lawrence durrell, ed. alan warren friedman, 158-71. boston: g.k. hall & co., 1987. notes: reprinted from modern fiction studies 13.3 1967 ; , 361-367. goldberg, frederick. "the movement toward survival." diss., emory university, 1975. notes: dai 36: 2808a goldberg, fredrick. "the dark labyrinth: journeys beneath the landscape." deus loci: the lawrence durrell newsletter 2, no. 3 1979 ; : 13-22. goldberg, gerald jay. "the search for the artist in some recent british fiction." south atlantic quarterly 62 1963 ; : 387-401. goldfarb, russell m. "the dowson legend today." studies in english literature 1500-1900 4, no. 4 1964 ; : 653-62. notes: analyses downson and durrell's discussion of dowson in key to modern poetry. goldman, lyn. "an interview with lawrence durrell: pennsylvania state university." agora: an online.
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