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The benefits of publishing and sharing calendar information through xml are so great that it seems inevitable that arts organizations will all want to do this at some point. the more places an event is listed, the more people will see it, and the more tickets will be sold. aggregation of events has the additional advantage of placing your events next to other similar events. search engine visitors and others who find a calendar while on the hunt for say, a dance performance in one city, are good prospects to buy tickets to a dance performance in a second city, even a couple of hundred miles away. performing arts calendar aggregation groups information by affinity as much as by location. additionally, middle users or republishers perhaps in print, in the electronic media, or on the web ; could be served by having a reliable source of commonly formatted events listings, which could be aggregated and or transformed through xslt, etc., as needed or useful. if a new protocol is developed for these events, either as a stand-alone paes or as an extension of rss, it might be able to and 2005 world series of poker. Lawrence hooper's orignal translation of pasolini's 60s play orgy features a set containing a prominent, luxurious bed and a suspended frame through which a panel of light is cast onto the wall next to a cellist who underscores the play until she appears as a character ; . the director's notes to this play inform the audience that we should resist our cambridge-student urge to "over-analyse" orgy as a philosophical treatise. i watched with no agenda, just as the director said, and this is what i saw: the play begins and ends with a man hanging himself. the bulk of the play fleshes out the circumstances leading up to this death, `death brings a surplus wisdom' ; . the play is, hooper tells us, about desire: desire fulfilled, unfulfilled and impossible to fulfil. the first half of the play features a man and his wife, a bourgeois couple, shaming each other and acting out perverse fantasies. despite valiant performances, the words the actors spoke sounded uncomfortable in their mouths, and the speech rhythms overly lyrical and emphasised. the play contains acts of shame, desire and.